Monia Chokri's 'Think Good' is a gripping exploration of toxic relationships and domestic abuse, set within the context of a modern Orthodox Jewish couple. The film, directed by Géraldine Nakache, offers a compelling narrative that delves into the complexities of control, possessiveness, and religious extremism. With a strong focus on personal interpretation and commentary, this review aims to unravel the layers of this intense drama.
The story centers around Gil (Chokri), a camera assistant, and Jacques (Nils Schneider), a businessman, who meet in Dubai and quickly fall into a whirlwind romance. Despite their seemingly perfect start, the film takes a dark turn as Jacques' controlling nature and religious extremism come to the forefront. The audience is immersed in the same unsettling experience as Gil, witnessing the constant belittling, suspicion, and mental cruelty that define their relationship.
One of the most striking aspects of the film is the exploration of religious rituals and their impact on the characters. Nakache, who grew up in an Algerian Jewish family, ensures that the religion is not just a backdrop but an integral part of the narrative. The audience is introduced to the strict rules and expectations of Orthodox Judaism, particularly in the context of marriage and childbirth. The film highlights the tension between Gil's more relaxed approach to her faith and Jacques' rigid adherence to religious traditions.
The cinematography plays a crucial role in conveying the characters' emotions and the oppressive atmosphere. Shot in Scope, the film utilizes intimate close-ups to capture the intimate moments between Gil and Jacques. The audience is drawn into the couple's world, feeling the suffocating presence of Jacques' control. The use of visual symbolism, such as the garden swing that becomes a menacing spider's lair, further emphasizes the characters' feelings of entrapment.
As the film progresses, the audience is taken on a journey through time, witnessing disturbing incidents that reveal the true nature of Jacques' behavior. The hospital scene, where Jacques blocks Gil's parents and friends from visiting her after the birth of their daughter, Thais, showcases the extreme lengths to which he goes to maintain control. The isolated countryside home, equipped with baby monitors, further reinforces his possessiveness and paranoia.
Nakache's direction and the performances of Chokri and Schneider bring a raw and emotional depth to the film. The audience is left with a profound understanding of the psychological impact of abuse and the challenges of escaping toxic relationships. The film's exploration of religious extremism and its intersection with domestic violence adds a layer of complexity, prompting viewers to question the boundaries of faith and the consequences of unchecked control.
In conclusion, 'Think Good' is a powerful and thought-provoking film that delves into the dark corners of a toxic relationship. Through its compelling storytelling, strong performances, and insightful commentary, it offers a chilling reminder of the dangers of control and the importance of recognizing and addressing domestic abuse. This film is a must-watch for those seeking a profound and emotionally charged cinematic experience.
